Figure # 1. Taking reference
photographs. Deciding the layout of garlic on
the book takes time. How far into the book do
you go? Should you stick to the first few pages
so the base of the image is thick? Or half way
through the book, so the pages from the
beginning rise up like a tidal wave? How much do
you show of a faux cutting board (in this case,
a well-worn picture frame). Where do you place
the garlic? Where is the light coming from?

Figure # 2. Taking reference
photos is not all glamour. I sat for long
periods of time holding up the back clothe (in
this case, black) while my photographer and
spouse took reference photos.

Figures # 3-9. Samples from the photo shoot.
They were taken in colour and then transferred
into black and white. This added a lot of depth
and texture for me to see the crevices and
cracks of the old paper, and the garlic itself.
I think Kelly is an excellent photographer!



Figure # 10. My painting of The Old Cookbook. I
decided to emphasize the yellows and browns of
age, set against a strong white of garlic that
also picks up a bit of age in the shadows. Lean
in close, can you smell the warmth of a home
cooked meal?

Figure # 11
Click
this link to see a large portion of this
painting up close. And click this link if you
would like to purchase a fine art print of The
Old Cookbook.